This
workshop focused on variations of the
Jota and Porrusalda
has preserved in and around the valley of Arratia in Bizkaia,
featuring visiting instructors from the dance group
Andra
Mari from Galdakao, Bizkaia.
For various reasons
including the transformation of social dance in
the Basque Country in recent times, these
traditional variations of the Jotas and
Porrusalda were nearly lost.
Once far more
extended throughout the Basque Country and
characteristic of many a Basque festival, the
scope of these versions--originally called Lehengoa ("the first one") and Bigarrena ("the
second one") continued to shrink until twenty
five years ago when they almost disappeared as
the dancers of a previous generation passed
away.
Fortunately, some
folks got to work to preserve these dances.
One of the groups that has committed to keep
these dances alive is "Andra
Mari" from Galdakao, Bizkaia. people got to work
trying to preserve these dances, and they
learned from various teachers and dancers
including Bartolo Lasa, Patxi Bilbao, Satur Arandia,
Raimunda Bizkarguenaga, etc.).
Furthermore, members of this group have been more than
willing to offer to others the chance
to learn. We were lucky to have a couple
group members here for this series of workshops.

Female dance instructor
Iraitz Barandiaran Irazabal
here dancing with Kepa Artetxe (who was instrumental in
researching and keeping these dances alive).
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I. LEHENGOA: Jota
Step
1. "Punta pioa" This is danced more in place.
Step
2. "Hara honakoa" This has more movement from
side to side
Step
3. "Baltseoa" or "kantaue." The waltz in
traditional Bizkaian style is danced with the man
holding his right arm out. The kantaue was a
substitute step for the waltz, because there were
places where local authorities frowned on young
people dancing that close together in public. |
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II. BIGARRENA:
Porrusalda
Here again there is variation, and some of the Jota
steps can be used here. The Baltseoa or waltz
can be done but not the kantaue because it is a
different rhythm.
Here too there's a differentiation between the steps
in place, those that go from side to side. |

Mikelue instructing at the
Chino workshop

Warming up in Boise

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The Jota's defining features are:
1. To move the body only below the waist.
2. To maintain the head still.
3. "Trukea" which means to keep the heel on the
ground but moving it. In fact, this is
considered to be the most important feature of the
Jota. |

Homedale workshop

Workshop
instructors:
Iraitz Barandiaran Irazabal
& Mikel Goitia Garay