Udaleku is quite
an undertaking, but it is not necessary to reinvent the wheel.
The hope is that the following--not set in stone but
adaptable--will be of assistance to organizers in putting
together a successful camp.
Forward your recommendations to
info@nabasque.org
Formerly known as Music Camp, Udaleku came into being in April
1974 when various Basque clubs joined together to create the
North American Basque Organizations, Inc. (NABO) with the
purpose of promoting and encouraging our common Basque
heritage. Since those early days the bonds between Basques here
in the United States have been strengthened and extended. The
annual Udaleku sponsored by NABO, and hosted by one of our
member organization, has contributed much to this growth.
The first camp was held in Boise, Idaho (Bogus Basin) in 1975.
Since then, hundreds of young Basques have gathered for two
weeks each summer in a different city of the extended Basque
community in the United States. Under the direction of local
and visiting talent from Europe, participants study Basque folk
dance, music (either txistu or accordion), singing and games
(such as the card game "mus" and "pala").
Besides being a good learning experience, the camp offers the
participants a great opportunity to develop ties and friendships
with other young Basques from many states whose parents and
ancestors came from both the northern and southern parts of "Euskal
Herria" or the Basque country. The relationships formed over
the two-week period increases the present and future interaction
between all of our Basque clubs. Udaleku is a unique experience
for both the participants--who meet other Basques from other
communities--and for the opportunity to teach younger
generations of Basque-Americans about their culture. The camp
is meant to impart to young Basque-Americans an appreciation for
the uniqueness of their heritage.
The overall objective of Udaleku is to serve as a learning
opportunity for Basque youth. During the course of the camp,
another key aspect for the camp is to serve as catalyst for the
creation of new, and hopefully, lasting friendships that will
serve to re-enforce links among our various Basque-American
communities. Teaching is divided into several sections that
include:
1. MUSIC. Every student must make an attempt at learning, or
improving, on either the accordion or txistu.
2. DANCE. Every student will be expected to participate in
dance rehearsals and make an attempt to learn as many of the
dances as possible.
3. SINGING. Participants will take part in singing sessions in
which both old and new, northern and southern, Basque songs will
be learned.
4. LANGUAGE. This being a Basque camp, "Euskara" or the Basque
language should be present and apparent. No one can learn the
language in two weeks, but an effort should be made to introduce
the language.
5. PILOTA/PALA. When possible, camp seeks to teach the basics
of Basque handball and/or pala to serve as an inspiration for
future playing of the sport[s].
5. GROUPS. All the participants will be divided up into seven
groups, one for each of the seven Basque provinces (If nothing
else, some will learn that there are seven provinces). The
function of these groups is to better organize the camp and
coordinate instruction and the important item--clean up duties.
The groups, each coordinated by a music/dance instructor, would
aim to accomplish the following: Mus & pala instruction;
Euskara; cooking, tambourine, and their group/province
presentation.
DANTZAK: Dancing. The dancing instruction should be broken down
by boys, girls and mixed. A further breakdown should be made
based on the abilities of each student. Every student is
expected to dance. The students should learn from 2-5 dances,
if possible, and receive some finer points on some of the dances
they already know. The daily schedule should have at least two 2
sessions of about 45 minutes each.
ABESTIAK: Singing. Participants will take part in all singing
sessions, consisting of popular and traditional Basque songs.
Approximately one hour each day should be allotted. The
atmosphere is best shifted from formal (all seated or standing
together) to informal (after a dinner). NABO provides the song
booklets (prepared beforehand) that are theirs to keep if they
would like.
ESKU SOINUA: Accordion. Classes are not to teach students how
to play, but to teach them Basque pieces. Depending on the
number, classes should be divided between beginners and
intermediate, of twenty-five (25) minutes each, at least three
times a day. The instructor can decide how best to teach the
material. Accordions are not provided by NABO.
TXISTU. Classes are to teach students how to play the
instrument, and to teach Basque pieces. There will be beginning
and intermediate groups, taught in twenty-five (25) minute
sessions, at least three times a day. NABO encourages students
to bring their own txistu, but provides them with one if they
need.
MUS. Classes should consist of 25 minute sessions, two or three
given to instruction. Afterward, the students can play on their
own with the instructor(s) supervising and helping with the
scoring. By the second week, a tournament will be arranged.
PALA/PILOTA. If the camp site has access to a fronton, students
may learn the basics of the game of "pala." The first session
should be for instruction, then afterward the students can play
on their own with the instructor(s) supervising and helping with
the scoring. By the second week, a tournament will be arranged.
EUSKARA: Basque. Classes are not intended to do the impossible:
teach Basque in two weeks. The aim is to introduce the language
to those who vaguely remember it and even to those who hear it
at home. Basically, if this is a "Basque Music Camp," the
language must be made apparent. Instruction of dance and music
should be in Basque whenever possible. Several twenty-five
sessions aspire to encourage students to pursue learning the
language.
SUKALDARITZA: Cooking. Classes are both practical and
beneficial. Students in their groups should take turns learning
some simple cooking techniques (for example preparing
"tortilla," "paella," "arain salda," and "gateau basque") to
take home with them and also to help with the meals during the
camp.
PANDARETA: Tambourine. In their groups, students would learn
some basic playing techniques of the "pandareta" or tambourine
to accompany the accordion. The twenty-five minute sessions can
also be used to sneak in some extra singing practice. The
tambourines need to be purchased before hand (at least seven),
and they can be sold after the camp if a new supply can be
obtained for the next year.
PRAKTIKATU: Practicing Music. Some sessions can be set aside
for each provincial group, outside of formal instruction, to
practice the pieces that they have been given. These sessions
need to be monitored by one of the instructors.
TALDEAK: Group/Province. Each group, headed by one of the
instructors, prepares an informative or entertaining
presentation on some element of Basque history or culture to
present to the rest of the group. Several meetings will be
scheduled prior to the presentations during the second week.

TXISTU |

DANCE |

PALA - PILOTA |

SINGING |

EUSKARA |

PANDEROA |

TXALAPARTA |

COOKING (& EATING) |

MUS |

CULTURE |
RECREATION |
For years Udaleku used only four instructors--two for music and
two for dance--but this has come to be too small a staff for a
group that now averages near fifty students. NABO recommends
the following staff positions:
1) Txistu instructor
5) Dance/mus instructor
2) Accordion instructor 6)
Dance/tambourine instructor
3) Dance/Euskara instructor 7)
Dance/cooking instructor
4) Dance/pala instructor 8)
Dance/singing instructor
This outline is for a camp of fifty students, and it includes
six dance teachers (three female, and three male) who can share
the secondary activities and perhaps also help the music
instructors. (If there are fewer, then perhaps only four dance
instructors will be needed; consequently more may be needed if
the group exceeds fifty.) At least seven of the instructors
will also be leaders for each of the provincial groups (for the
seven Basque provinces).
Instructors should be present at the camp at all times to help
with whatever may arise. The internal director should see that
each is rotated around to allow for a few breaks from
instruction (see appendix for the staff planning schedule).
Dancing will be coordinated by a male and a female dance
director, who together plan the dances that will be taught and
performed. Music instruction will be decided upon by the music
instructors in consultation with the internal director.
Instructors will receive a minimum salary of $300 (as of Jan.
1991) and most travel expenses. Paralleling the varied club
composition of the participants, an effort will be made to
attract instructors from throughout the American West, and to
rotate the positions so that many may have an opportunity to
instruct if they are able.
STAFF
The external director will assemble local help to assist with
meal preparation. Cooks should be able to be recruited from the
membership of the host club. Supplies can be purchased ahead of
time and only the perishables purchased daily, coordinated by
the external director. Cooks would prepare the meals either on
site or at home. The set-up and clean-up can be handled by the
students in their provincial groups.
With students staying in the homes, we have abolished the
previous positions of day and night supervisors. The internal
director shall serve to handle emergencies, sick students, and
any questions that may arise. For some events or excursions,
the external director may want to secure some chaperones. If
the students are housed in one place, the external director
should assemble different volunteers from the local club who
would be willing to stay the night on site.
DUTIES
|
N.A.B.O. President & Delegates
NABO Music Camp Chairman
+ appointed by the President
+ contacts clubs to arrange next camp
+ works with external and internal directors to make
preparations
+ appoints internal director, and together they assemble
a teaching staff
+ distributes applications
+ petitions for possible grants
+ assemble materials (equipment, songbooks, etc)
+ insure that consistency and quality is maintained
|
External Director
Appointed by local club(s) |
Internal Director
appointed in conjunction with NABO Udaleku
chairperson |
+ set dates/locate lodging
+ arranging meals/helpers
+ transportation
+ responsible for local dance equipment, music &
instruments
+ handle registration
+ purchase foods
+ pay staff
+ arrange possible donations
+ assign housing
+ coordinate/acknowledge volunteers |
+ daily schedule of classes
+ contacting instructors
+ provide applications
+ purchase class supplies
+ maintain discipline
+ prepare summary report
+ arrange & distribute address list & group photos
+ prepare camp folders/packets
+ arrange awards |
|
Joint Responsibilities
+ entertainment
+ checking account
+ budgeting/finance
+ arrange set-up and clean-up
+ arrange the final performance
+ plan outside activities
+ Completion of planning schedule
+ prepare news releases
+ arrange for video-taping |
CHECKLIST OF DUTIES
This schedule should be divided among the NABO Music Camp
Chairperson, and the two directors.
By the annual Fall NABO meeting:
_____ Confirm dates and host(s) of the camp.
_____ Prepare tentative budget including enrollment totals and
cost per student.
_____ Apply for possible grants.
6 Months Before Camp:
_____ Locate housing for camp
_____ Choose instructors and confirm
_____ Set salaries
_____ Choose staff and confirm
_____ Confirm prepared budget and determine per student cost.
4 Months Before Camp:
_____ Print necessary registration forms and letters and prepare
for mailing to clubs.
_____ Set return deadline.
_____ Re-confirm the budget.
_____ Follow up on grants.
2 Months Before Camp:
_____ Confirm housing & transportation.
_____ Review food situation.
_____ Locate all equipment needed (instruments, music, etc)
_____ Re-confirm instructors and staff.
1 Month Before Camp:
_____ Evaluate enrollment results/more mailings/phone/etc.
1 Week Before Camp:
_____ Have instructor/staff meeting on what duties include.
_____ Confirm most all meals.
_____ Confirm all enrollments.
_____ Confirm housing and transportation.
DAILY SCHEDULE & PROVINCIAL GROUPS
Each of the participants will be placed in one of the seven
provincial groups (Araba, Benafarroa, Bizkaia, Gipuzkoa, Lapurdi,
Nafarroa & Zuberoa) by the level of their musical ability. Each
group should number from four to eight students, headed by one
of the instructors. On a rotating schedule from meal to meal,
group responsibilities include set-up and clean-up. They can
also be used for quick attendance checks. Finally, each
prepares a presentation that will be given to the other group
(and invited host families and quests) by the middle of the
second week.
In their groups, students will attend their classes throughout
the day. Music classes will last twenty-five (25) minutes with
a five minute break to switch. This schedule takes advantage of
shortened attention spans. Dance and singing sessions will be
held all together, for a longer period of time. The daily
schedule, put together by the internal director with suggestions
from the staff, will vary from day to day, and it will be broken
up with meals, free-time, and fun activities (see appendix).
The host club(s) is welcomed to arrange some fun events that may
include: volleyball, swimming & water parks, City Tour, movies,
quest speakers, excursions, bowling, softball and going out to
eat.
Sample camp schedule:

Sample daily schedule:

The two directors may choose to distribute certificates to each
of the participants at the concluding performance. In addition,
in years past we have given small prizes, on an informal basis,
for some "outstanding" performances. Categories may include:
Most improved accordion & txistu
Pala Champions
Mus
Champions
Jota Contest Champions
Most improved
dancers Singing
contest champions
Best province/group award
Best pala-ball finder
Cleaning-up award(s)
Basque language award
tambourine
award
Male/female weight carrying
bota (water) drinking
award tug-of-war award
At the conclusion of camp, an evaluation should be distributed
to the participants and instructors so to better evaluate the
whole camp and forward future recommendations.
NABO has previously recommended that Udaleku participants be
housed in one place when possible, but the problem now is that
we do not have the funding to make up the difference. The
present fee of $220 (Jan. 1991) is enough to only cover the
camp's expenses (supplies, salaries, fun activities, and food)
minus lodging. The dormitory concept, which has its benefits,
would entail an increased fee. Perhaps soon, NABO may acquire
the necessary funds to support the option of combined housing.
In the interim, students will need to be housed in host homes.
The external director should make the necessary arrangements for
housing and transportation to and from the camp site.
With students staying in the homes, an effort should be made to
lessen the housing burden on the hosts whenever possible (they
are asked to provide a bed, only 2 or 3 meals, and to do a
couple of loads of laundry, and perhaps help with
transportation). Most all meals will be provided by the camp;
some nights, however, can be set aside as "family nights" for
the kids to enjoy with their host families. It is important
that all the hosts know the hours of arrival and departure for
each day. The internal director should make these
announcements.
Ideally the sites for the classes will all be in one place. The
thing to keep in mind is need for numerous rooms which can be
used simultaneously. The room for accordion instruction must be
a locked room only for our use. The other rooms can be shared,
and practice areas should be identified. Remember that carpet
is not conducive to dancing. Plug-ins and extension cords are
necessary for tape recorders in the dance areas.
Many times an outdoor setting is appropriate for individual
practice or even for an informal instructional period such as
txistu or dancing.
All NABO sponsored Camps will be organized in a similar fashion
each year. The camp will rotate within four geographical areas
of the Basque-American community, meaning that a specific club(s)
will be responsible for hosting or assisting with Music Camp
every four years. This arrangement is to ensure that the work
gets spread amongst all the clubs, and so that youngsters can
attend a nearby camp. The clubs in each geographic
Region
NOTE: NABO does not pick the host club—instead they step
forward to volunteer as host.
All expenses incurred for Udaleku will be paid by NABO with the
money received from the participants. The host club(s) is not
financially responsible for the camp, but any donations are
gladly accepted. They are requested to assist with recreation,
some travel, treats, cooking, etc. The seven instructors (minus
the internal director/instructor) will each receive a base
salary of $300. Because NABO no longer has a surplus of funds,
Udaleku must be carefully budgeted to stay within the available
money.
Nothing can make the two-weeks more unendurable than a problem
participant(s). The staff need not put up with this nuisance.
The application/agreement packet includes a section that asks
parents to accept responsibility for early dismissals of problem
student(s). This step, if necessary, will follow an initial
contact with the parent(s) and expulsion will be decided upon by
the internal and external directors. The internal director
shall make the general rules clear at the first meeting of camp.
Discipline is important for at least three reasons: to allow
the camp to progress, to save instructors headaches, and to
preserve Udaleku’s reputation. Because of this camp's nature, a
few bad rumors can do much harm to future attendance if parents
begin to believe that there are problems. For most parents to
allow their little ones to attend, they need to know that the
camp will be well supervised and structured. Stay with the
planned schedule and be consistent. Most students quickly
accept that this is how it is going to be, they adjust, and
appreciate their free time more that way.
1.
You will respect your hosting families. We are counting on you to be on
your best behavior, and that your will make your hosting families happy
to have opened their homes to you.
2.
You will not take, borrow, or use anything from your hosts without
asking permission.
3.
You will not make telephone calls without permission. The Basque
Center has a pay phone, so it might be a good idea to bring a pre-paid
phone card to use.
4.
You will not leave the house without permission, and without the host
knowing where you are. They are responsible for you, and must know your
whereabouts.
5.
You will not help yourselves to the items in their pantries or
refrigerator. Your meals will be eaten at the Center
6.
You will respect any rules the hosting family sets.
7.
You will not make excessive noise in your host house. Most people will
work during the day, and will not appreciate noise after a certain
hours.
8.
You will get up on time, and be ready to leave the house when needed.
9.
You will have laundry done once a week. Please do not expect the
hosting family to do laundry more than that.
10.
Any misconduct will result in immediate dismissal from camp.
Most all the meals should be served on site to help minimize
cost and save funds for occasional outings to local eateries or
Basque restaurant(s). The meals that are the simplest seem to
go over better than the large sit-down dinner. Included is a
list of foods and meals that have gone over well in the past.
The suggested meals are also easy to prepare/serve and plan in
advance. The utensils and plates should be paper and plastic.
The students can serve themselves and do their own clean-up.
Supplies can be purchased ahead of time and the daily
responsibilities of the host club can be minimized.
GOIZARIA: Breakfast
The students need the ability to fix their own meal and move on
at that time of day. The availability as a base of cereals,
milk, juice, fruit, and toast is advisable. Adding the
following adds some variety: poptarts, donuts, waffles,
pancakes, French toast, ham and eggs, and chorizos.
BAZKARIA: Lunch
This need not be a formal event. Many students use this hour to
clean-up, regroup, and relax. The students will go to lunch and
find it refreshing to serve themselves and not have a highly
structured meal. Suggestions include the following:
Sloppy Joes Potato
Salad Potato Chips
Rice pudding U-make
sandwiches green salad
baked potatoes jello
juice
macaroni salad macaroni &
cheese tacos
cookies hot
dogs chorizos
pizza
fruit ice cream
milk
Individual
size packets are usually more expensive. The take-a-handful
system works just fine, as does pouring your own drink. A
refrigerator should be on site to accommodate the drinks and
some treats or leftovers. Leave the menu planning flexible so
that you can work around leftovers. Treats are always a
favorite, but spread them out. Perhaps some can be donated by
locals.
AFARIA: Dinner
Dinner has proven to be a time when all the students enjoy
eating together as a group. The meals can either be on site or
off. The off site is desirable occasionally as a change of pace
if transportation and finances allow. This may be an
opportunity for the members of the host club(s) to prepare a
meal if appropriate